Ideal Goal:
If you were to read your
embedded passage out loud, your audience should NOT be able to tell when your
words end and the author’s begin.
How do you achieve
this feat?
- Begin with YOUR words first. Then, smoothly incorporate your passage into the sentence. What should you say? Explain what’s happening, who’s doing what, and/or, if the passage is dialogue, who is talking to whom.
Ex: On the train, the narrator watches Eugene
from his seat as the awkward boy attempts to “. . . reduce the absurdity of his
situation by grinning as he did in every direction.” (1105)
- Use only the important part of the passage—the part that best proves your theme and relates to your technical element. It should be no longer than TWO typed lines.
- Avoid using phrases such as “he says,” “replies,” “states,” etc., when introducing your passage. The repetitive nature of reading “he says” and then “she says” and then “he says” bores the reader and SHOUTS to the audience, “I AM NOW ABOUT TO QUOTE SOMETHING FROM THE STORY!”—it’s not sophisticated.
Instead of: The narrator says he “want[s] to know
Talbot Nevin” because of his
overpowering
ambition to gain powerful friends and to remove any traces of his former
life. (1106)
How about: The narrator “want[s] to know Talbot Nevin” because of his…”?
- Make sure your verbs are in present tense.
In your analysis,
use “shows” instead of “showed” – “grows” instead of “grew.”
In your embedded
passages, bracket verbs that you need to change to present.
Ex: The narrator
“want[s] to know Talbot Nevin . . . “
- When necessary, change all first person pronouns (I, me, us, we) to third person
(he, him, she, her, they,
them). Again, use brackets to mark
anything you change.
Ex: The doctor remembers that he had “seen at
least two children lying
dead
in bed of neglect in such cases, and feeling that [he] must get a
diagnosis
now or never, [he] went at it again.” (104)
- If you choose to drop any words from the middle of a passage (because they aren’t relevant or meaningful—but NOT because they contradict your analysis), use an ellipsis to show the omission.
Ex: The doctor
remembers that he had “seen at least two children lying
dead
in bed of neglect…and feeling that [he] must get a
diagnosis
now or never, [he] went at it again.” (104)
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